![]() ![]() Close inspection of this painting shows Marat at his last breath, when Corday and many others were still nearby (Corday did not try to escape). Although the name Charlotte Corday can be seen on the paper held in Marat's left hand, she herself is not visible. The Death of Marat is designed to commemorate a personable hero. David promised his peers in the National Convention that he would later depict their murdered friend invocatively as " écrivant pour le bonheur du peuple" (writing for the good of the people). David, however, drew other details from his visit to Marat's residence the day before the assassination: the green rug, the papers, and the pen. For example, the painting contains no sign of his skin problems, his skin appears clean and unblemished. He was also on the Committee of Public Instruction. A deputy of the Museum section at the Convention, he voted for the death of the King, and served on the Committee of General Security, where he actively participated in the sentencing and imprisonment of many and eventually presided over the "section des interrogatoires". David's politicsĪs well as being the leading French painter of his generation, David was a prominent Montagnard, and a Jacobin, aligned with Marat and Maximilian Robespierre. She was later tried and executed for the murder. Corday fatally stabbed Marat, though she did not attempt to flee. Marat suffered from a skin condition that caused him to spend much of his time in his bathtub he would often work there. She gained entrance to Marat's rooms with a note promising details of a counter-revolutionary ring in Caen. Charlotte Corday was a Girondin from a minor aristocratic family and a political enemy of Marat who blamed him for the September Massacre. Marat ( – 13 July 1793) was one of the leaders of the Montagnards, the radical faction ascendant in French politics during the Reign of Terror until the Thermidorian Reaction. ![]()
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